Hitomi Furuya, known professionally as Hitomi, is a Japanese singer-songwriter. She began her career as teen model before making her singing debuting under the helm of Tetsuya Komuro in 1994, who produced Hitomi's earliest work in pop music. Hitomi strove for artistry over the course of her career, penning "forward-looking" lyrics and becoming known for her "unusual" fashion sense that accompanied a "supermodel allure". Her signature songs include "Candy Girl", "Love 2000" and "Samurai Drive".
Loveppears is the second studio album by Japanese recording artist Ayumi Hamasaki. It was released in Japan, Hong Kong and China on November 10, 1999 through Avex Trax and the China Record Corporation, and distributed worldwide on April 10, 2001 by Avex Entertainment Inc. It was entirely written by Hamasaki herself, while the production was handled by Japanese musician Max Matsuura. Musically, Loveppears is a dance album and lyrically focuses on themes of love, frustration of life, loneliness, and individualism.
Rainbow is the fifth studio album by Japanese recording artist Ayumi Hamasaki, released on 18 December 2002 by Avex Trax. Production of Rainbow had commenced after the release of Hamasaki's fourth studio album I Am... that January; All lyrics were written by Hamasaki, and Japanese producer Max Matsuura returned to produce the album. The album was Hamasaki's first to feature conversational English lyrics, where in her previous works she had only used single words.
A Best is the first greatest hits album by Japanese singer-songwriter Ayumi Hamasaki. It was released on March 28, 2001 by Avex Trax and Avex Music Creative Inc.. Hamasaki had originally planned to release a greatest hits album after her 2002 studio album I Am..., but the idea was denied by Avex head staff. Instead, Avex released the album in 2001, which caused conflict between the label and Hamasaki. The compilation was released in two different formats including a physical and a digital release. Seven different artworks were released in several editions of the album. The album includes one new track, three re-recorded tracks, and the rest previously released singles.
Sweet 19 Blues is the second studio album by Japanese recording artist Namie Amuro. The album was released in four different slipcases, with the first three cases limited to 1,000,000 copies each—were put on sale on July 20, 1996 throughout Japan, and were distributed two days later to the rest of Asia by Avex Trax. The album was primarily handled by Japanese producer Tetsuya Komuro, with the assistance of Cozy Kubo, Akio Togashi, Takahiro Maeda, M.C.A.T. and Randy Waldman.
"Whatever" is a song recorded by Japanese recording artist Ayumi Hamasaki for her second studio album, Loveppears (1999). It was written by Hamasaki, while production was handled by Max Matsuura. The track is Hamasaki's sixth single with Matsuura since her debut single in April 1998, "Poker Face". "Whatever" premiered on February 10, 1999 as the lead single from the album. It was re-released on February 28, 2001 as a CD single.
"Love (Destiny)" is a song recorded by Japanese recording artist Ayumi Hamasaki, serving as the second single for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Taiwan on April 14, 1999, and through Avex Entertainment Inc. worldwide in September 2008. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Three versions of the recording have been made available—a ballad version arranged by Tsunku, an edited version with vocals by Tsunku, and a dance-influenced version included on Loveppears.
"To Be" is a song by Japanese recording artist Ayumi Hamasaki. It served as the third single from Hamasaki's second studio album Loveppears (1999). The track was released by Avex Trax in Japan and Taiwan on May 12, 1999, and through Avex Entertainment Inc. worldwide in September 2008. It was Hamasaki's final single to be distributed as a Mini-CD, a format that debuted at the start of her career in April 1998. "To Be" was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Musically, it is a J-Pop that was written in third person perspective, much like the content from the parent album.
"Appears" is a song recorded by Japanese recording artist Ayumi Hamasaki. It was released by Avex Trax on November 10, 1999 as the sixth single from her second studio album Loveppears (1999), which was released on the same day. Alongside this, it has been released in several other territories with different release dates under her Western alias Ayu. It also served as Hamasaki's first limited edition single, limiting physical sales to 300,000 copies. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Musically, "Appears" is a dance song written in third person perspective, and is about the third person watching what appears to be a happy and loving relationship. Upon its release, "Appears" received positive reviews from music critics. Alexey Eremenko, writing for AllMusic, selected the track as the best song from the album and her career. However, an editor from CD Journal criticized the amount of remixes on the CD single.
"Evolution" is a song recorded by Japanese recording artist and lyricist Ayumi Hamasaki, released on January 31, 2001 as the second single from her fourth studio album I Am... (2002).
"A Walk in the Park" is a song by Japanese recording artist Namie Amuro from her third studio album Concentration 20 (1997). The song was released as the album's lead single on November 27, 1996. It was written, composed and produced by Tetsuya Komuro. The song is a dance track, which features instrumentation from guitars, synthesizers, organs, keyboards and drums. "A Walk in the Park" and "Can You Celebrate?" were both theme songs for Maxell UD commercials and Whisper was used as the background music for the Maxell MD74 commercial.
"Baby Don't Cry" is a song recorded by Japanese recording artist Namie Amuro for her eighth studio album, Play (2007). It was written, composed, arranged, and produced by Japanese musician Naoaki Yamato, under the alias Nao'ymt. The single also included the B-side track "Nobody", a re-recorded version of her single "White Light". It premiered on January 24, 2007 as the third single from the album in Japan. It was also released worldwide on February 21, 2007 through Avex Entertainment Inc. Musically, "Baby Don't Cry" is a pop ballad, influenced by R&B music.
Go to the Top is the debut album by Japanese singer-songwriter Hitomi, released on September 27, 1995 by Avex Trax. The first press edition of the album came with the CD case housed inside a hardback case, similar to a book. The inside of the back of the case contains a mini-photobook. The RIAJ has certified it 2x platinum, recognizing over 500,000+ shipments throughout Japan. On the Oricon charts, the album's peak position was #3, and it stayed on the charts for eight weeks.
Guilty is the ninth studio album by Japanese recording artist Ayumi Hamasaki. It was released on January 1, 2008 by Avex Trax. Guilty marks Hamasaki's ninth consecutive album to be fully produced by Japanese producer and manager Max Matsuura, while she contributes to the album as the lead vocalist, background vocalist, and songwriter to all songs. Recorded in Japanese with minor phrases in English, Guilty is a rock album with numerous musical elements such as rock, heavy metal, electronic music, and pop ballad melodies.
Supreme Show is the seventh studio album by Japanese recording artist Ami Suzuki. It was released on November 12, 2008 by Avex Trax as her 10th Anniversary album. It was also released ten months after her joint project album, Dolce. Supreme Show is Suzuki's first album to be fully produced, composed, and arranged by Japanese musician and Capsule member Yasutaka Nakata. Suzuki contributed to the album as the lead vocalist, background vocalist, and co-songwriter for the track "Love Mail". With tracks recorded in both English and Japanese language, Supreme Show is an electronic dance music album.
Next Level is the tenth studio album by Japanese recording artist Ayumi Hamasaki. It was released through Avex Trax on March 25, 2009 in five physical formats, and for digital consumption. The album was solely produced by Avex Trax owner Max Matsuura, whereas the album's content was written by Hamasaki herself. Additionally, it marks a return for several composers that helped construct her previous records, including Dai Nagao, CMJK, Kazuhiro Hara, HΛL, amongst others. Stylistically, Next Level is a departure from her previous albums, focusing on electronic music with elements of rock and dance.
"Let's Play Winter" is the debut single by Japanese singer-songwriter Hitomi and was released on November 28, 1994 by Avex Trax. It appears as a remixed version on her 1995 debut studio album Go to the Top and was later included in its original form on the 1999 best-of compilation H and the 2007 three disc set Peace.
"World! Wide! Love!" is the 33rd physical single and 34th single overall by Japanese singer-songwriter Hitomi and was released on May 20, 2009 by Avex Trax. "World! Wide! Love!" is the second single from, and is set to appear on, Hitomi's ninth studio album, "Love Life 2".
Rock 'n' Roll Circus is the eleventh studio album by Japanese recording artist Ayumi Hamasaki. It was released on April 14, 2010, by Avex Trax. It was also released just a little over a year after her 2009 album, Next Level. Rock 'n' Roll Circus marks Hamasaki's eleventh consecutive album to be fully produced by Japanese producer and manager Max Matsuura, while she contributes to the album as the lead vocalist, background vocalist, and songwriter to all songs. Recorded in Japanese with minor phrases in English, Rock 'n' Roll Circus is a rock album with numerous musical elements such as electropop, J-pop, rock, pop ballad, and dance music.
Spirit is the tenth studio album by Japanese singer and songwriter Hitomi. It was released on April 27, 2011, through independent label Maximum 10. It is her first not to be handled by Avex Trax, though both are owned by the same operating company. Spirit is described as "electro-oriented club music married with emo rock"; produced by Advanced Alternative Media, the album is noted as "their first collaboration with a Japanese artist".
